拍照片
我常常在想，为什么自己的照片那么少，青春期已过去了一大半，
怕老，所以要抓住某些瞬间
最想拍的照片，
是一幅长卷，横的 ，
各种状态
一张里面有很多个我
喜欢的站点，
理想的状态还在调试中，都说人不是机器，的确，很多时候，会发现，只是个机器零件，走了还有下一个
圣诞夜 星空灿烂
我从来没过过圣诞节 更别说是圣诞夜了 就在这几个月 总有不好的东西缠着 提不起劲儿 ，今夜一定是星光 火光 奇怪的光 纠结在一起… 伟大的中国人民 开始勤劳的逛街吃饭 搂搂抱抱 这样的气氛在上海特别浓郁
上画
SC3到手哈哈
首先感谢光猪大叔不远万里给TWINKLE寄来如此厚重的书，真的是个大块头啊！
“每本《SC》看来都是向内的探索和审视，尽管确实有些故事难免晦涩，但也显出拙朴，你总可以在几十个故事里看到与自己潜在产生共鸣的情节，拒绝粉饰地逼视着你。书中单独夹杂的小片勘误纸，指出排版过程中的错误，还真没见过一本书就这样赤裸裸地面对自己和向读者交代。其实这也不是漫画和时尚团伙拉帮结派的第一次了，他们原本就是许多杂志的插画师和新锐艺术家，觉得还不够发光发热，内在有倾诉需要。中国人可以很团结也很会打内战，很庆幸，这一回又一次凝聚了起来，几十根柴火拧成捆，爆发出来的力量是强大的。反正，他们就是小众，追逐大众的你别来。”摘自http://scomix.blogbus.com/
TWINKLE本着还残留晦涩愤青角色的十佳青年求来此书，特向广大读者推荐——SC3
WWF和它的大熊猫
Artwise Curators gave 16 internationally recognised artists and designers the iconic WWF panda-shaped collecting boxes to use as a vehicle to increase awareness of our world’s fragility in the 21st Century, and to raise funds for the charity’s continued environmental conservation work. UVA’s contribution, ‘Frozen in Time’, is a window into the delicate and ephemeral moment of a glistening representation of the WWF mascot.
UVA recreated the panda in ice, then allowed it to melt in their studio. This single image remains – the only record of its existence.
Visit the WWF Pandamonium website WWF Pandamonium
Twitter已经在Web 2.0鼓吹者和爱好者的圈子内流行很久了，却仍有很多人不知道Twitter是什么。即便在其发源地美国，Twitter也是最近才开始流行起来。然而，Twitter上的中文用户虽然数量不多，但大多数推友们推出的质量都很有营养，而且整个社区氛围十分和谐、有爱。下面就揭开twitter的神秘面纱 ，看看办公环境吧！
Meredith Dittmar Interview
My process is always changing. Typically I collect images, diagrams, math and words and surround myself with them before I begin a set of pieces – though once I start working I only refer to them rarely. I throw it all into the brain blender and see what comes out. I usually work on several pieces at a time because creating certain effects in clay is labor intensive and then when something doesn’t fit it usually get used somewhere else. I try to sculpt freely, creating parts, using them or not, and see what begins to appear. I sketch the larger overreaching ideas as they come and maybe use them or not. I’m always playing with the balance of tackling the technical challenges the clay poses, with the desire to keep moving forward with more immediate techniques. Most importantly though, I try to keep my head out of it and work from a open & quiet state.
09年
牛年 本命年 我就这样过下去吧 ..你在纳闷我想要什么 ，我想不如问崔健的好。
GUA BLOG
My Frist Post
